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Many of her fans are unaware, however, that Barry's earliest cartoons include stories of her growing up a working-class, mixed-race Filipina in Seattle in the s. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. These darkly humorous and exquisitely rendered memories of coming of age meld family history and Filipino folktales and superstitions to adolescent angst and American popular culture; thematically, One Hundred Demons explores racial identity, and maternal and cultural legacies. This essay discusses Lynda Barry's substantial but overlooked contributions to the growing body of "peminist"—Filipina American feminist—writings and to contemporary Filipino American cultural production in general. Interestingly, Callahan maintains that the autobiographical [End Page 2] writings in The New Comics Anthology best demonstrate comics as a "vital new branch of contemporary literature"

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Zendaya. Age: 29.
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The comics in One Hundred Demons are Barry's explorations of incidents and memories that trouble or haunt her—namely, her childhood and its manifold tragedies, large and small.

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Charli. Age: 25.
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These darkly humorous and exquisitely rendered memories of coming of age meld family history and Filipino folktales and superstitions to adolescent angst and American popular culture; thematically, One Hundred Demons explores racial identity, and maternal and cultural legacies. This essay discusses Lynda Barry's substantial but overlooked contributions to the growing body of "peminist"—Filipina American feminist—writings and to contemporary Filipino American cultural production in general. Each cartoon showcases the hallmarks of her powerful storytelling aesthetic: Barry's deliberately "naive" graphic style complements the searingly candid musings of its young narrator and the often harsh subjects of the strips themselves. Many of her fans are unaware, however, that Barry's earliest cartoons include stories of her growing up a working-class, mixed-race Filipina in Seattle in the s.

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